Portrait Painting in Oils : Q&A with Bowerbird’s Resident Artist Ellie Sweetman

At Bowerbird Collections I've had the joy of painting commissioned portraiture in oils for 13 years (and counting). So, today I'm answering some of the common questions I receive about my portrait painting process. 

Portrait Q&A with Ellie Sweetman

Why Portraits?

I've always been drawn to portraits, whether I'm viewing works by another artist or painting then myself. I obviously love painting landscapes and forals, but portraiture just captivates me. There's an extra level of precision needed to capture the likeness of a subject. If my brushstrokes are out by 1mm on a flower - the painting still looks like a flower. But, if I'm out by 1mm when I'm painting an eye - the portrait might still look like a realistic face, but it won't look like the person. And that challenge is what intrigues me.

And then there's the impact of portraiture. I'm biased, because I LOVE paintings. But, I truly feel that a painted portrait is more emotive than a photo. You get to see the subject through the artists eyes. And, that's a fascinating experience. But when the portrait is of a loved one, maybe one who is no longer with us, the value is magnified. All times when a customer, having viewed their new portrait for the first time, has burst into tears will stay with me forever. That's why I love portraiture. 

---

Do you paint portraits from life or from photos?

All of my portrait commissions up until now have been painted from photographs. I can also paint from life, but it involves multiple sittings which can be tricky to coordinate. Using photos makes the process simpler and more flexible for both of us.

---

Why do you choose to paint in oils?

Three reasons:

1.  Oils have a long drying time which gives me the freedom to work with the wet paint for hours. Painting "wet on wet" is a skill in itself - but I enjoy the unpredictability of brushstrokes that merge together.
2. I love the vibrancy and depth of colour that oil paint offers. I also find that oils tend to dry the same colour as opposed to acrylics, which, in my experience, dry darker and duller. (This is an absolute pain when you're working with portraiture and the subtle hues in skin tone)
3. I love the texture of oil paint and the fact that I can layer it and even continue to paint on top of dried paint. Unlike with watercolour, where, if you cover the white of the paper you can't get it back.

The only down side to oils is the myth that you have to use solvents in the painting and/or cleanup process. I don't use solvent at all in my studio. I use walnut oil to "thin" the paint and I wash up with soap and water. 

---

How do I choose the right photo for a portrait?

This is such a great question because the photo you choose plays a huge role in how your painting turns out. Some photos are better suited than others.

Here is my photo check list:

• Lighting is the key to vibrant and emotive portraits. I recommend choosing images with natural or directional light because it creates shadows and adds depth. And coloured light, like warm sunlight, casts cool toned shadows - which allows me to paint a portrait  that is rich in colour.

• Choose a photo that makes you smile. If you are emotionally connected to the photo, you’ll love the painting even more.

• Candid shots make great paintings. Don’t dismiss photos where the subject isn't looking at the camera or even smiling. Sometimes those are the most moving and natural images.

• Action shots tell a story. Think of moments captured at the beach or playground, on a picnic, or at a sports game - these can become beautiful, personal storytelling portraits.

• Silhouettes work too: Even if you can't see the subjects face, you'll still recognise them. Plus, they’re often more affordable and still filled with emotion and personality.

• Avoid lens distortion. Try to pick photos that show a true likeness of the subject.

If you’re unsure, feel free to send me a few options and I can help choose the best one to turn into a treasured work of art. Or have a look at my painting portfolio for inspiration.

---

How long does it take to paint a portrait?

One month is a good minimum time frame estimate. But, it all depends in the size and the complexity of the portrait plus how many commissions are ahead in the queue. If you're on a tight deadline, I'm happy to discuss options. 

---

How much does it cost to commission a portrait?

The price is determined by a few factors: the size, the number of faces, the complexity/detail of the image and whether you choose to have it painted in colour or black & white. 

Here’s a price guide:

• Colour portraits start at $1,490

• Black & white portraits start at $890

• Paintings with no faces start at $730

If you already have a photo in mind for a portrait or painting, send it through and I will give you a quote with different size options.

---

FAQ’s About Portrait Commissions

Can you combine multiple photos into one portrait?

Yes! I can merge different photos into one composition, as long as the lighting and angles are workable. 

Can you change something in the reference photo?

Yes, in the painting process I have the freedom to change anything you want. I can swap backgrounds, change the colour of clothing, or subtract an element you want to remove. 

Do you paint pets?

I love painting pets! I've painted cats, birds, dogs, fish and horses. What can you add to my pet portrait repertoire?

Do you frame the portraits?

I can organise framing with my recommend framer in Brisbane. Or I can give advice on what styles will suit the painting so that you can source framing on your own.

Can I gift a portrait commission?

Yes! Portraits make beautiful and meaningful gifts. If you’re not sure what photo to use, I also offer gift vouchers so the lucky recipient can choose for themselves.

---

FAQ’s About Bowerbird Collections

What is Bowerbird Collections?

Bowerbird Collections is a small family business based in Brisbane, run by myself and my mum, Peta. We design and handcraft ceramic lamps, botanical lampshades, artistic fabrics, fine art prints and more. All of our products focus on artisan craftsmanship, taking art & design out of the gallery and into the home. 

Where are the artworks and lamps made?

Along with our boutique store, my painting studio is in Paddington Brisbane. Mum's ceramic studio is on the farm just north of Brisbane. We’re proud to keep our manufacturing here and support the growth and development of local craftsmanship. 

Do you take custom orders?

Yes! From custom ceramic lamps to commissioned paintings, we love working with you to create something truly special.

---

Final Thoughts

I love bringing photos to life in portrait. It's a deeply personal and rewarding process. Whether it’s a memory, a milestone, or just a moment you love, turning a photo into a painting gives it significance.

If you’ve got a photo in mind that you would like painted feel free to reach out, I’m always happy to chat and help you create something beautiful.

Thanks for reading!
Ellie xo